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RICCI, Sebastiano
Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05)
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ID: 20641
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RICCI, Sebastiano
Italian painter, Venetian school (b. 1659, Belluno, d. 1734, Venezia).Painter and draughtsman. He painted light and colourful religious, historical and mythological subjects with a fluid, painterly touch. His rediscovery of Paolo Veronese, whose settings and costumes he borrowed, was important to later Venetian painters. Sebastiano was an itinerant artist, celebrated throughout Europe. Related Paintings of RICCI, Sebastiano :. | Fall of Phaeton | Grabmal des Herzogs von Devonshire | Betsabea al Bagno | Jove and Semele | Altar of St Gregory the Great | Related Artists: VIVIEN, JosephFrench painter (b. 1657, Lyon, d. 1734, Bonn)
French painter and pastellist, active in Germany. He trained in Paris in 1672 with the painter Fran?ois Bonnemers (1638-89), also attending the Acad?mie Royale, where his oil painting the Punishment of Adam and Eve (untraced) won a second prize in 1678. Only in 1698 was he received (re?u) at the Acad?mie, as a pastellist, on presentation of portraits of the sculptor Fran?ois Girardon and of the architect Robert de Cotte (both Paris, Louvre; see PASTEL, fig. 1). Having been commissioned to execute a pastel Self-portrait (Florence, Uffizi) by Maximilian II Emanuel, Elector of Bavaria, in 1699, the following year he was appointed the Elector's principal court painter (see WITTELSBACH). He henceforth divided his time between Paris, the Elector's courts at Brussels and Munich, Jacopo da Empoli1554-1640
Italian
Jacopo da Empoli Location
Italian painter and draughtsman. He lived and worked in Florence all his life, and he followed Santi di Tito in the return to the clarity of the Florentine High Renaissance. He absorbed the ideas of his more innovative contemporaries and became one of the most popular painters of altarpieces for churches in Florence and Tuscany. He was also a distinguished still-life painter and received many commissions from private patrons, among them the Medici. Empoli painting is distinguished by simple, lucid forms, strong colour and direct and clear interpretation of the subject. Armand-Vincent de Montpetitpainted Louis XV King of France and Navarre in 1774
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